Kayla Nicole Claims She Won’t Compare Herself to Other Women Despite Speculated Shade in Taylor Swift’s Song

04 October 2025

In the wake of speculation that Taylor Swift’s new song “Opalite” might contain a pointed reference to her, Travis Kelce’s ex-girlfriend Kayla Nicole responded with a subtle yet firm message about self worth. The influencer reposted a scene from America’s Next Top Model in which Eva Marcille refuses to compare herself to other women, declaring, “I’m no comparison to anyone else.” In doing so, Nicole appeared to reclaim the narrative, presenting an image of authenticity in contrast to what some interpret as lyrical critique.

Swift’s lyrics in The Life of a Showgirl include lines that many fans believe are aimed at Nicole: “she was in her phone / And you were just a pose.” This framing echoes past criticisms of Nicole’s behavior during her relationship with Kelce, which he once publicly admonished accusing her of being too engaged with her phone while they dated. The resurfacing of that narrative within Swift’s music seems to have prompted Nicole’s carefully curated response.

Alongside the reposted clip, Nicole shared images from a Hollywood Confidential dinner she attended, looking radiant in a brown silk halter dress. In the post caption she lauded women who have shaped her outlook on womanhood and praised the event’s spirit of visibility, sisterhood, and storytelling. She also posted a motivational meme reading “And when God give you ball, BALL,” a colloquial call to boldness and audacity, further reinforcing her message of empowerment.

Though she has not explicitly confirmed that the lyrics refer to her, Nicole’s reaction has fueled speculation. Her gesture indirect, refined, yet resonant serves as an assertion of self in the face of public scrutiny. Many view it as a refusal to be reduced to someone else’s song or narrative.

Nicole and Kelce shared an on-off relationship for roughly five years, beginning in 2017. Their public history includes intense scrutiny and fan commentary, especially since Kelce’s relationship with Swift gained visibility. Nicole has previously addressed criticism tied to clout chasing and the idea that she leverages her association with Kelce for attention. She has insisted that she is navigating public life fairly and honestly, even when the narratives around her feel reductive.

In the face of these layered pressures, Nicole’s posted visuals and messaging highlight a portrait of self respect. Choosing to share a clip about refusing comparisons is both a small personal act and a public statement. She frames her identity not in relation to others, but in her own terms.

What’s happening is not simply celebrity drama. It taps into broader conversations around how women are positioned in public narratives, especially when past relationships become fodder for artistic reflection. Nicole’s response reveals how individuals attempt to reclaim agency amid those narratives.

As interest continues around Swift’s lyrics and the relationship triangle, Nicole’s quiet but pointed stand offers a counterbalance. She resists being defined by allusions, opting instead to define herself.